Thursday, April 26, 2018
Sunday, August 16, 2015
Los Leones Jovenes del Jazz de Panama (The Young Lions of Jazz of Panama)
Whether you call them phenomes, or
progedies, young musicians have always been at the forefront of their art. In
Jazz, we call them, the young lions. That’s nothing new. Cats like Coltrane,
Miles, Herbie Hancock, and others, were playing with established bands
by age 20. And, many of them attracted the attention of legends who became
their mentors.
Panama has a very promising crop of young Jazz talent, Aquiles Navarro Jahaziel Arrocha, both 25, are the real deal. But, don’t take my word for it. Ask sax legend Carlos Garnett, who tutors both, and can’t say enough about his young students.
At the 2007 Panama Jazz Festival Arrocha auditioned for admission to Berklee College of Music, and was accepted. He was also given a
Panama has a very promising crop of young Jazz talent, Aquiles Navarro Jahaziel Arrocha, both 25, are the real deal. But, don’t take my word for it. Ask sax legend Carlos Garnett, who tutors both, and can’t say enough about his young students.
At the 2007 Panama Jazz Festival Arrocha auditioned for admission to Berklee College of Music, and was accepted. He was also given a
Saturday, February 28, 2015
Eric Dolphy, One of Panama’s Gifts to the World of Jazz
Eric Dolphy
In this modern era of Jazz Carlos Garnett and Danilo Perez are the most popular names among Jazz aficionados in Panama. But, Panama’s past boasted a rich Jazz history as well. Sadly, local Jazz heads have said that many of their countrymen are not familiar with that history. Further, while some Panamanians have heard of a some great Jazz artists, they don’t know that many are actually from Panama.
One
such example of this is the great, multi-talented reed player, Eric Dolphy. Dolphy’s parents migrated from Panama to the US
in the late 1920’s, as did many Panamians. This was just before Eric was born.
His music career began at the age of 6.
I've never seen him perform live. But, I’ve found Dolphy's sound to
be provocative and sophisticated. I was introduced to cats like Eric Dolphy by John Coltrane’s’ music. Releases like Ole, and Spirtual, captured
me with Dolphy’s stellar work flute, alto sax and bass clarinet.
By the time I entered
the world of Jazz radio I was fully aware of who Dolphy was. He was a regular
in my playlist. My love of his work lead me to others like, Archie
Shepp, and Anthony Braxton. Both of whom I have seen in live performance. With that in mind , the details of
Dolphy's sudden death in 1964 intrigued me.
Here is my summary of
how his time was spent just days
Thursday, June 12, 2014
The Berlin Wall, and All That Jazz
In 1964, in the middle of the cold war, Dr. Martin Luther King was invited to speak at the '64 Berlin Jazz Festival. Her is an excerpt from his speech:
"...and now, Jazz is exported to the world. For in a particular struggle of the Negro in America, there is something akin to the universal struggle of modern man. Everybody has the Blues. Everybody longs for meaning. Everybody needs to clap hands and be happy, Everybody longs for faith.
In music, especially this broad category called Jazz, there is a stepping stone towards all these."
In December of 1986 I made a trip to West Berlin, in W. Germany. Just the name, Berlin, created cloak & dagger images in my head. Too many spy novels and movies. On the morning I left, I arrived at Heathrow Airport, just outside London, and even the Lufthansa Airlines ticket counter staff looked suspicious. Or, at least I thought they did.
I was going to Berlin to visit a friend. He met me at the airport, and showed me the town. Berlin is a very cosmopolitan city, but all the trappings of the cold war were still in place in 1986. Berlin was a divided city, east and west. The Berlin Wall was still standing. West Berlin, itself, was still divided into American, British, and French sectors, just as it was at the end WWII.
After seeing the sightseeing, and dinner, I wanted to hear some live Jazz.
Germans have an unabashed love for American Jazz, even though Hitler's propaganda machine took several measures to prevent
"...and now, Jazz is exported to the world. For in a particular struggle of the Negro in America, there is something akin to the universal struggle of modern man. Everybody has the Blues. Everybody longs for meaning. Everybody needs to clap hands and be happy, Everybody longs for faith.
In music, especially this broad category called Jazz, there is a stepping stone towards all these."
In December of 1986 I made a trip to West Berlin, in W. Germany. Just the name, Berlin, created cloak & dagger images in my head. Too many spy novels and movies. On the morning I left, I arrived at Heathrow Airport, just outside London, and even the Lufthansa Airlines ticket counter staff looked suspicious. Or, at least I thought they did.
I was going to Berlin to visit a friend. He met me at the airport, and showed me the town. Berlin is a very cosmopolitan city, but all the trappings of the cold war were still in place in 1986. Berlin was a divided city, east and west. The Berlin Wall was still standing. West Berlin, itself, was still divided into American, British, and French sectors, just as it was at the end WWII.
After seeing the sightseeing, and dinner, I wanted to hear some live Jazz.
Germans have an unabashed love for American Jazz, even though Hitler's propaganda machine took several measures to prevent
Friday, January 10, 2014
Passion & Commitment: The Danilo Perez Interview
Looking at his track record, you realize how natural it must have been for Danilo Perez to have developed an early passion for music. As a child, Danilo's musician father would have friends over to play and sing, and some of them would ask Danilo to play what he had learned.
From that beginning, the
Fulbright Scholar has spent his life committed to learning and teaching music.
He is an internationally acclaimed concert pianist, composer & conductor. He is the force behind the Panama Jazz Festival, the Danilo Perez Foundation, the new Danilo's Jazz club in Panama City, Artistic Director for the Berklee Global jazz institute , Unesco Artist for Peace and he has just released a new CD, titled, Panama 500. In my recent interview with Danilo Perez, I asked him about his passion for music.
KG - You have made it your mission to use music
to unite Panama with the rest of the world. Is that a fair statement?
DP - Yes, I would say so. I think the greatest lessons about these
Wednesday, September 25, 2013
Reminicing About A Memorable New York Hot Spot
If you had a chance to go there you might have rubbed shoulders with the likes of James Baldwin, Amiri Baraka, or Toni Mossison. All hip. That's the type of crowd you'd expect at Mikell's, a hot spot that was located on the corner of 97th & Columbus.
Mikell's opened in 1969, and closed in 1991. It's owner was Mike Mikell, who died in 2005. It's gone now, but in the seventies and eighties Mikell's was a happen' place for some of New York's best session and studio musicians who would drop in to jam. Art Blakey would rehearse and record there with the Jazz Messengers. Other frequent notables included Milt Jackson, Ray Brown, and Cedar Walton.
I remember being there on one occaission when Hugh Masekela
almost blew the roof off the room. It was SRO, and I don't think sitting was even an option as the room was pulsating on a night that I remember like it was last night.
But, sadly, Mikell's is gone. Gone the way of other New York Jazz venues, such as Slugs, Port of Call East, and The Lennox Lounge.
Great memories, though.
Mikell's opened in 1969, and closed in 1991. It's owner was Mike Mikell, who died in 2005. It's gone now, but in the seventies and eighties Mikell's was a happen' place for some of New York's best session and studio musicians who would drop in to jam. Art Blakey would rehearse and record there with the Jazz Messengers. Other frequent notables included Milt Jackson, Ray Brown, and Cedar Walton.
I remember being there on one occaission when Hugh Masekela
almost blew the roof off the room. It was SRO, and I don't think sitting was even an option as the room was pulsating on a night that I remember like it was last night.
But, sadly, Mikell's is gone. Gone the way of other New York Jazz venues, such as Slugs, Port of Call East, and The Lennox Lounge.
Great memories, though.
Friday, August 2, 2013
The Late David "Fathead" Newman, Flora Purim, Sachal Vasandani and, It was All Free
Annual spring and summer festivals celebrating the performing and visual arts are so plentiful that it's impossible to see them all. But, if you are in or near Raleigh, NC, in May of the year, you've got to check out Artsplosure.
Conceived in 1978, Artsplosure's goal was to create an "explosion" of art activity, and "expose" large numbers of people to all types of art. The event lasts several days, and is totally free.
In my years in Raleigh I saw the late tenor sax giant, David "Fathead" Newman, Brazilian super vocalist Flora Purim, and vocalist, Sachal Vasandani. All free, at Artsplosure. I had never seen any of these
Conceived in 1978, Artsplosure's goal was to create an "explosion" of art activity, and "expose" large numbers of people to all types of art. The event lasts several days, and is totally free.
In my years in Raleigh I saw the late tenor sax giant, David "Fathead" Newman, Brazilian super vocalist Flora Purim, and vocalist, Sachal Vasandani. All free, at Artsplosure. I had never seen any of these
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